AI Image Generators and Copyright: Eligibility in the U.S., UK, EU, and More; Fair Use, Derivative Works, Liability

Course Details
- smart_display Format
On-Demand
- signal_cellular_alt Difficulty Level
- work Practice Area
Trademark and Copyright
- event Date
Tuesday, April 25, 2023
- schedule Time
1:00 p.m. ET./10:00 a.m. PT
- timer Program Length
90 minutes
-
This 90-minute webinar is eligible in most states for 1.5 CLE credits.
This CLE webinar will guide IP counsel on copyright issues associated with artificial intelligence (AI) image generators. The panel will examine eligibility for copyright protection in the U.S. and compare the U.S. approach with other countries. The panel will also discuss whether and when the creation and use of image generation tools and AI-generated images may infringe or violate the copyrights of others.
Faculty

Mr. Graif is an intellectual property attorney whose practice encompasses trademark and copyright enforcement, technology and licensing transactions, patent and trademark portfolio management, and counseling clients on intellectual property issues that arise in business deals. He also has extensive experience in cybersecurity, privacy, and social media law, and is a Certified Information Privacy Professional/US. His clients range from start-ups to Fortune 500 companies in a broad range of industries, including technology, manufacturing, sports & entertainment, and digital & social media. The rights enforcement side of Mr. Graif’s practice includes trademark, copyright, and patent matters, domain name proceedings, and advising clients on publicity and privacy rights. His IP transactional work includes drafting licensing, joint venture, and other agreements involving trademarks and technology. Mr. Graif teaches social media law as a Lecturer in Law at the University of Pennsylvania Law School and an Adjunct Professor at Benjamin N. Cardozo School of Law.

Ms. Oratz has more than 35 years of experience representing clients at the various intersections of technology, intellectual property (IP), and entertainment law. Her practice includes product counseling work for clients, with a focus on IP matters, content liability, and privacy and regulatory compliance, and she also routinely helps clients with drafting and negotiating license agreements, collaboration and joint venture agreements, development agreements, and other complex commercial contracts. Ms. Oratz devotes much of her practice to emerging technologies and is known for her innovative work on legal issues involving artificial intelligence (AI). This includes extensive work in the area of generative AI, including developing IP protection and risk mitigation strategies. Ms. Oratz also regularly counsels clients regarding the clearance, protection, and licensing of copyrights, trademarks, and name, image, and likeness rights, and handles a wide variety of entertainment, sports and marketing-related matters. She is co-lead of the Film & Television industry group. Ms. Oratz works with a wide variety of clients, ranging from Fortune 500 companies and other industry leaders to small, cutting-edge start-ups. She is a frequent writer and speaker on intellectual property, data licensing and contracting issues, especially relating to artificial intelligence.

Mr. Sholder focuses his practice on litigation, counseling, and dispute resolution in connection with entertainment, media, art, and IP matters. He represents and advises clients across various industries in copyright, trademark, trade secrets, right-of-publicity, unfair competition, domain name, and commercial and business disputes, as well as defamation defense. Mr. Sholder has appeared in federal and state courts around the country as well as administrative and arbitral tribunals and has handled cases from pre-suit negotiations through trial, post-trial procedures, and appeals. He is a frequent writer and speaker on issues related to copyright and trademark in the entertainment and digital media space, with a recent focus on generative AI.
Description
AI programs are now readily available for all. Stability AI, Lensa, and other AI image creation tools create original works of art, raising the question of IP protection for such art. The United States requires human authorship in order to obtain copyright protection, and so far, the U.S. Copyright Office has declined to grant copyright registrations for AI-created works of art based on a lack of human authorship (one of these decisions is being challenged in Thaler v. Perlmutter (D.D.C. filed June 2, 2022)). While some countries take a similar approach to the US, others treat the issue of copyright eligibility for AI-generated art quite differently and provide at least some protection of computer generated works.
Questions have also been raised as to whether AI-generated images constitute derivative works and whether such images and the AI generation tools used to create them infringe third-party copyrights, or whether the fair use doctrine or other defenses may apply. The first lawsuits involving image generators have now been filed raising copyright claims in addition to other claims.
Listen as our authoritative panel of IP attorneys examines AI image generators and the associated copyright issues. The panel will discuss eligibility in the U.S. and the recent actions by the Copyright Office and contrast this with the approaches used in other countries. The panel will also address the recent cases that have been filed and the potential liability for copyright infringement in the U.S. and other countries.
Outline
- AI-generated works of art and copyrightability
- Eligibility in the U.S.
- Eligibility in other countries
- AI image generators and copyright infringement
- Derivative works
- Fair use and other defenses
- Liability in other jurisdictions
- Best practices
Benefits
The panel will review these and other critical issues:
- What hurdles confront counsel when demonstrating authorship of AI-generated works?
- How does copyright apply to AI-generated works? How does it differ across jurisdictions?
- What steps can counsel take to increase the likelihood of success when seeking copyright protection for AI-generated works?
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